The movie has everything in its right dose- humour, love, sentiments and action. The first half is to set a good platform for the great second half. The movie starts in a slow pace, but thereafter the movie proceed in an engaged manner and end up as a thriller. No doubt to say that Indian Rupee will end up as a box office hit. As expected the movie is a good one with classy direction from Ranjith. The First Show of Indian Rupee Malayalam Movie just ends with positive response from the crowd. The other cast in the film are Jagathi Sreekumar, Lalu Alex, Mamukkoya, Baburaj, Madhupal, Suresh Krishna, Babu Namboothiri, Abu Salim, T Sudhakaran, Tini Tom, Kottayam Nasir, T.P Madhavan, Sasi Eranikkal, Sasi Kalimga, Seenath, Srilatha and Kalpana. The film is produced by the production company of Prithviraj aong with Shaji Nateshan and Santhosh Sivan. Indian Rupee released today all over the Kerala under the distribution of August Cinemas. How J.P fullfills his dreams and what will be the consequences are the main story of the film. He has support from Achutha Menon ( Thilakan), a man with enough experience in his life. His only desire is to make money through various ways. We can see Prithviraj as Jayaprakash, known as J.P, a normal man with his own dreams. This is really the viewers like to see in Prithviraj rather than his larger than hero image in his previous movies. Rima Kallingal, Swetha Menon and Mallika has short roles, but significant in the story.
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The director has full support from all the actors in the movie including Prithviraj and Thilakan. The rush for money without thinking twice may ruin the whole life- an apt message to the society which is the director gives through the film. The film mainly depicts the consequences of real estate business in Kerala. As the name suggests the film tries to portray the lives of youngsters in our society to earn money in quick way within short time. Once again Prithviraj and Ranjith together for a sincere movie- Indian Rupee. Film and Television Institute of India, Pune, imparts training in film making and televisions programme production.Indian Rupee- Ranjith-Prithviraj Compo after Thirakkadha
Documentary and short film makers have also played an important role in spreading knowledge and awareness among sections which are yet to get the benefits of modern education. The late Satyajit Ray was awarded many prestigious international awards including the Oscar in 1992 for Lifetime Achievement in Cinema. Mehboob’s tendency to make a visual spectacle of his material, and his involvement with populist themes and issues make him a good example of popular cinema of the time. Mehboob Khan’s Andaz/Style (1949), an upperclass love triangle founded on a tragic misunderstanding, draws on codes of psychological representation – hallucinations and dreams that feature strongly in 1940s Hollywood melodrama. The influence of Neorealism can be seen in films such as Do Bigha Zamin/Two Measures of Land (Bimal Roy, 1953), a portrait of father and son eking out a living in Calcutta that strongly echoes the narrative of Vittorio de Sica’s Bicycle Thief (1948). The First International Film Festival, held in Bombay in 1951, showed Italian works for the first time in India. Phalke’s company alone produced about a hundred films. From then on many “mythologicals” were made and took India by storm. Based on a story from the Mahabharata it was a stirring film concerned with honour, sacrifice and mighty deeds. It was made by Dadasaheb Phalke and was called Raja Harishchandra. The first Indian-made feature film (3700 feet long) was released in 1913.
That was an important day in the social and cultural history of the Indian people. On July 7, 1896, an agent who had brought equipment and films from France first showed his moving pictures in Bombay. Movies arrived in India less than a year after the Lumieres first exhibited their cinematographie in Paris. There has been widespread recognition of Indian artists and directors at film festivals in different parts of the world. Apart from popular entertainment through commercial cinema, art cinema deals with a serious themes particularly relevant to Indian society. The major production of Indian movie centers are Mumbai, Chennai and Kolkata. India leads the world in the output of films, with more than 800 Indian films produced annually. Indian films command a huge domestic market and are popular abroad, particularly in Asia, Africa and West Asia.